This weekend director Greta Gerwig’s adaptation of Louisa May Alcott’s “Little Women” is up for six Academy Awards, including Best Picture. It is the seventh feature film to be made from Alcott’s book and perhaps the most distinctive. Unfortunately, the latest film leaves out an important theme from the original text: faith.
The previous six movies hewed more or less to Alcott’s strictly chronological narrative structure, which follows the four March sisters—Jo, Meg, Beth and Amy—from their teen years to their late 20s. Ms. Gerwig’s film instead offers a deconstructed version. The events in Alcott’s book are presented as flashbacks in a deliberately scrambled order that reflects not chronology but the thematic aims of Ms. Gerwig, who also wrote the screenplay.
