In late June I visited the concentration camp at Dachau, located in a wooded suburb a few miles from downtown Munich. The camp site struck me as rather too neat: virtually all of the huts in which hundreds of thousands of prisoners lived, starved, and died are gone, and the atmosphere, despite a blistering hot afternoon, was antiseptic. There was little of the miasma of raw evil that remains at Auschwitz and Birkenau, even though Dachau was the prototype for those extermination factories. The Dachau camp site's Chapel of the Agony of Christ, built after the war, is touching. But, to my mind at least, its stark modernism somehow fails to register the suffering it is intended to commemorate—and transfigure.