Let me compare Landrieu's genre to the forgotten language and intentions of the ancient Hebrew prophets. Landrieu addressed his city as “a people.” So did the prophets, like Jeremiah, revered in and beyond Judaism and Christianity. Landrieu was defending the decision and act of taking down the city's four most prominent icons—the prophets would have called them “idols”—in the form of statues commemorating long-revered General Robert E. Lee and lesser Confederates who defended the enslavement of American blacks. The expressions of others before the removal of the statues were not always eloquent or healing: defenders of the statues and representatives of what the mayor would call the “Cult of the Lost Cause” often rallied with shouts or whispered with threats.