The atmosphere inside the tomb is so fragile. I had one camera clamped above my head and another camera over my shoulder. It was like walking on eggshells.
When I work, it’s usually so different. I walk very fast. I react very fast. I move a lot. I was not able to walk around in the tomb. I stood on a piece of wood. I could take my pictures only from there. I felt like my hands were cuffed. I took pictures from where they decided I would. It was a very weird feeling for me.
I usually use 35 or 50mm lenses—these are my favorite. [In this situation] I had to use wide-angle lenses, which is a totally different way to tell story, but I had no options.
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