He was seen as the second coming. Kendrick Lamar, the California rap supernova whose 2012 album Good Kid, M.A.A.D. City earned comparisons to hip-hop’s masterworks, was under intense pressure to repeat its success. So when the world got the searing To Pimp A Butterfly last March, it was a surprise—in no small part because of how openly religious it was. There’s a long verse from a cajoling Satan; another song is written from the perspective of Jesus Christ; there’s an obsession with the seduction of sin. But for the MC who once boasted that he was “more Pappy Mason than Pastor Mason”—identifying more with the drug kingpin than the rapper-turned-reverend—the ambitious move paid off, nabbing him a field-leading 11 nominations at the 2016 Grammy Awards (to be broadcast Feb. 15 on City). “God allowed this album to be top-tier without a radio single,” he exulted last year.