I’d told myself I wouldn’t do it this time.
Writing a theological review of the latest U2 album has been de rigueur for me since offering my two cents on How to Dismantle an Atomic Bomb. With increasingly credible rumors pointing to the release of the next album this fall (while I’m deep in the midst of a writing project about the “pilgrim church” character of the Baptist ecclesiological vision in relation to the ecumenical future), I’d decided to enjoy listening to whatever the band released but excuse myself from the self-imposed expectation to publish something about it.
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