At Christmastime many people listen to Handel’s “Messiah.” Some of us listen to excerpts; some listen to the entire work. Some people attend performances at local churches or watch television broadcasts. For some people it is their only exposure to Baroque music during the year… and for too many, sadly, their only exposure to church music. Yet, in the words of the Sursum Corda portion of the liturgy, it is meet and right so to do. In all times and in all places – or, as often as possible – we should commune with our God. And that should apply to Easter as much as Christmas; with other supernal music as much as the traditional “Messiah.”
If we would wade into the waters of debate about the relative importance of dates in the Christian calendar, we would be reminded that over the centuries, Christmas was a relatively minor celebration, at least compared to Easter. (And that the Feast of the Assumption – marking Jesus’s physical rise to Heaven, completing the affirmation of His divinity, closing the theological circle of the Incarnation, begun with the Virgin Birth – was once more observed than it is in today’s churches.)
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